Don't look now, but somebody's watching you
student. art historian. feminist.
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2012-01-31
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Andreas Feininger, Stockholm
Kungsgatan, View from Malmskillnadsgatan, Stockholm, 1933-39
(via thiscitycalledearth)
Source: undr
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(via kikisloane)
Source: in-ner-side
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Helen Hayes Brown in the follies c. 1927, photo by Alfred Cheney Johnston
(via artinresponse)
Source: vintagegal
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Nancy Rubins
Drawing, 2005
Graphite on rag paper(via Nancy Rubins - June 3 - July 9, 2010 - Images - Gagosian Gallery)
Source: gagosian.com
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Simryn Gill
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Geoffrey Johnson Untitled, 2010
Oil on canvas
64 x 64 inches(via alecshao)
Source: hubertgallery.com
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(via alecshao)
Source: manutd-nastyfm
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2012-01-30
Monika Grzymala, Sticky Tape
Source: alecshao
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A quote from Marcel Proust—”It is only women who do not know how to dress that are afraid of colors”—preceded a brief statement from Alexis Mabille about “the science of color” and energy as therapy. His show certainly promoted a fearless approach to color blocking. Each outfit was monochrome, from brightest red to palest blue, and each model’s face was painted the same shade as the enormous tissue flower mounted on her head.
But the real inspiration for the show was anything but pseudo-science. Mabille was inspired by a photograph of iconic model Lisa Fonssagrives on a beach, her face suffused with pink from the sunlight coming through her umbrella.-Tim Blanks STYLE.com(via fakingfashion)
Source: style.com
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Barbara Kruger
Source: typeonimage
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Anais Nin, my hero
“I was upset as a child to discover that we only had one life. It seems to me that I wanted to compensate for this by multiplying experience.”
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How wrong it is for a woman to expect the man to build the world she wants, rather than to create it herself.
Anais NinSource: ninagarcia
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Robert Frank, Movie Premiere. 1955.
Source: historyofphoto
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Joel Meyerowitz, New York City, 1975
“Photographers learn to accept the gifts that come their way, because surely life produces moments crazier than we can conceive. Just as the duo in camel coats disappear into the steam, a similar pair of coats enters the frame bearing a twin set of heads. All one can do is gasp and shoot and thank the one-eyed God who watches over photographers.”
Source: artfood
